
Every lens has a personality and a usage. Certain lenses are good for close-ups, certain lenses are dynamic for emotional moments and certain lenses work for action. I have even had an Executive Producer who encouraged me to use the “funny” lenses – in his world, anything that was a short/wide lens was built for […]

At the core of Western Narrative Filmmaking is an unspoken contract that filmmakers make with the audience. It is called “A Willing Suspension of Disbelief.” What that means, is that I, as a filmmaker, am going to do everything possible to make the image look natural. I will do everything possible to create and further […]

There Is Entirely Too Much Talk About Pixels When we set out to make MARRIED YOUNG, my cinematographer and I had a long and detailed conversation about cameras. In fact, the talk about pixels even colored my choice of cinematographer. One of my favorite cinematographers interviewed with my producers and I and was emphatic that […]

What surprised me most from the audiences was how difficult it was for them to follow the opening. Originally we opened on the pharmacy – David, our hero, is tired (pale, dark circles, unkempt hair) and he’s staring at laxatives. It should be a funny image, right? But it wasn’t. The small people I tested […]

SYNOPSIS FOR “MARRIED YOUNG” David and Talya got married young. They have an 18 month old and another on the way. But life isn’t the way David expected it: they live in a trailer park (true, it’s a luxury trailer park), David uses his artistic ability to create soul defeating corporate websites and to make matters worse, […]