Can you just imagine what the audiences reactions would have been down through history if 35mm cameras had been invented 2000 years ago?  What historical images do you think you  would prefer to see today, crowd sourced digital or the work of a photojournalist with time at the job and training in the crafts?

In the new age war of “Photojournalist Professionals” vs. “crowd sourced photography” eye tracking expert Sara Quinn concludes her audio interview above with the final observation  “… it is the marriage of the images and the words that is really crucial” in the general public’s now proven ability to readily separate, easily identify, and distinctly prefer the work of professional photojournalists in a new study.  In the interview, Sara Quinn talks about the results of her photojournalism eyetracking survey, conducted for the National Press Photographers Association.

Eyetracking Image Example. (Image Source: NPPA.Org Website)

These results were also the topic of a SXSW panel entitled “Who’s Driving the Extinction of Pro Photographers?” According to the results of this survey, consumers know the difference, and prefer professional photojournalist created work by a wide margin.

Study Clearly Shows The Value Of Professional Creators In Viewers Responses (Image Source: NPPA.org)

Wow.  So what are the implications of this?  Have the newspapers in their death spirals thrown the baby out with the bathwater by shedding their photojournalist staff too early?  Perhaps the proper course instead should have been to invest more heavily in photojournalist creativity, assisting them in coming up with unique new visions of reality and new ways of presenting their results.  This NPPA sponsored study proves the public can not only tell a difference, but also have distinct preferences for the professionally created photojournalist work.

"Think You've Had A Bad Friday? VI"

“Think You’ve Had A Bad Friday? VI”

Here’s another perspective; a hypothesis of my own based in part on the results of this NPPA study.  Shortly, there could be a new resurgence in the quality of photographs professional publications and corporations demand.  A “renaissance of quality” will return once the “good enough” pendulum reaches the furthest limit and begins a long swing back.

This new cycle features a beginning “quality counts more than quantity” mantra – AND a Google ranking to match!  Mediocrity will not be tolerated by artists for long, but by the general public only for as long as it takes to educate themselves on the difference.  Google educates very quickly.  Google already knows how to tell good images from bad, and will soon be incorporating that ranking in search results for everybody.

"Think You've Had A Bad Friday? VII"

“Think You’ve Had A Bad Friday? VII”

Photography as a hobby has exploded as fast as cellular phones have penetrated consumer markets.  In more than one recent survey, Taking pictures is the highest ranking activity people surveyed reported doing with their smartphones. Second was “talking.” As this photography hobby has exploded in participating numbers, so have the number of sources for photographic education.

"Think You've Had A Bad Friday?"  You Have To Explore  New Photojournalist Adventures To Discover  New Revenue Streams In Modern Photojournalism, and  Captions Count!

“Think You’ve Had A Bad Friday? – I”
You Have To Explore New Photojournalist Adventures To Discover New Revenue Streams In Modern Photojournalism, where Strong Stories rule, and Captions Count!

TheCameraForum.Com readership is an interesting mix.  The majority of people who take photo workshops and seek  photographic education are not professional photographers.  For the most part, they are not people who have any desire to ever be professionals at photography for a living, though many readers would like to have professional level results for themselves.

"Think You've Had A Bad Friday? II"

“Think You’ve Had A Bad Friday? – II”

Our readership audience are simple, normal, everyday people.  The butchers, the bakers, the car mechanics, the candlestick makers of our world today all create photographs.  The doctors, lawyers, bankers, and brokers as well.  The little people.  The important and not so important people.  The silent majority.  They all count, everyone of them when the collective majority wants quality, well crafted content.

"Think You've Had A Bad Friday? III"

“Think You’ve Had A Bad Friday? – III”

As surely as the old print newspapers power and influence has fallen, the general public is educating itself on the merits of good photography and good writing.  Good Storytelling, in every form.  God knows, after you see enough of the poor quality, you eventually learn what to look for and gravitate towards the difference.  Self education in pursuit of personal achievement in photography will continue to raise the quality demand bar.  My conclusion is a return to quality photography is inevitable. It is only a question of when.  Only the timing, not if.

"Think You've Had A Bad Friday? IV"

“Think You’ve Had A Bad Friday? – IV”

Consumer understanding and appreciation for good photography is also helped along by Nikon, Canon, Sony, Panasonic, Olympus, Adobe, Apple, and all the other high tech marketing messages rained down upon the public from every conceivable angle and source.  Today, an educated public knows the difference in professionally produced photojournalism and a passerby’s snapshots.  Most of our audience already captures far better photographs than the good old days of the drunken “happy snappy.”

"Think You've Had A Bad Friday?V"

“Think You’ve Had A Bad Friday? – V”

In fact, now that the selfie revolution is taking over as the current “fad” in photography, the realization of higher quality photography will soon to begin to rise like a phoenix, driven by all those people who can no longer stand to see a poor quality selfie – of themselves!

Pass this vital information along to any editors or publishers you know of that are still standing.  This study reveals a sure road to eventual success. It’s the hard way, the old fashion way, Earning the public’s attention and respect one relevant, carefully crafted photograph at a time.  Offer readers what they want and prefer – professionally produced quality photojournalism as this NPPA study suggests. Say yes to quality, I dare you!  The readers will come, as will your future advertisers right along with them.

 

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