Footage, edition and film direction by LUÍS OLIVEIRA SANTOS
Manuel Gomes Teixeira, photographer and Platinum Palladium printer, usually uses traditional methods with photographic film in medium and large format cameras. Invited by the exclusive distributor of Leica cameras in Portugal, he tested the Leica “M” Monochrom. Manuel found the high quality files show a rich tonal range and adapt very well to Platinum printing.
I have yet to actually test a Leica M Monochrom myself, but friends who have all report it is fantastic. Something to put on my list of gear to have a look at one day. I have printed my own Platinum Palladium negatives in workshops. It is an interesting and quite different process than working with regular silver based papers and negatives. Platinum Palladium is sensitive to UV, not the regular visual light spectrum.
It takes a real dedication to fine art printing to have a darkroom of your own. Over the years, I’ve had several and experienced the pain and the pleasure of seeing my work printed in many ways. In all those years, I don’t believe I have ever seen a more magical B&W print than one done with Platinum/Palladium. These two precious metals give the prints huge dynamic range, a tonal scale that is literally off the charts, dMax like you have never seen before in a print, and since you are printing with hand coated papers, you have a wide choice in tooth, weight, color, and tone.
Chuck's career as a storyteller is multi-faceted, producing digital projects for clients developing software, advertising, promotions, and marketing services.
Chuck writes about and teaches the latest digital photography technology he uses every day. Splitting his time between the California Coast and home in rural New Mexico, Chuck researches stories and creates his hybrid "mirrorless madness" productions and Cinemagraphs on a wide range of topics.